Editor’s Note:
This acting career update from actor Sonia Lozada shares recent auditions, callbacks, and the renewal of her commercial contract with the DDO commercial department, with reflections on presence, process, and joy in the craft.
I realized it’s been a while since I last wrote here. This acting career update isn’t about a big announcement — it’s simply a check-in after a season of listening, working, and staying present in the craft.
Not because I stopped acting.
Not because I disappeared.
Mostly because life happened — and honestly, I was busy listening.
Listening on set, where every project asks you to stay flexible and curious. Listening in auditions, where the work is to show up prepared, grounded, and then let it go. Listening in callbacks — including one just last week — where you’re reminded that being invited back into the room is its own quiet affirmation.
There’s a certain joy that comes from staying in the process long enough to appreciate these moments. Auditions start to feel less like judgment and more like conversation. Sets feel familiar in a comforting way — still exciting, still unpredictable, but grounded in experience rather than nerves.
Today brought one of those steady, encouraging moments that make this career feel sustainable: my commercial contract with the DDO commercial department was renewed. It’s not flashy news, but it’s meaningful. The kind of professional continuity that reminds you the work is being seen and trusted.
Somewhere along the way, I traded constant updates for presence. Turns out, the camera doesn’t mind. The work feels better when it’s less about chasing and more about listening — to the material, to your scene partner, to the moment as it unfolds.
So this is me popping back in to say hello — still acting, still auditioning, still grateful to be on set, and still finding joy in the rhythm of this career. No big announcements. No dramatic comeback story. Just a return to sharing thoughts now and then, as the work continues.
More soon. Or not too soon. Either way, still here.
— Sonia

If you’ve read my earlier post about The Still Point Minute, you’ll know it began as a simple daily practice to stay grounded between auditions and projects. In this new reflection, I explore how that same awareness has become part of my creative process—the heart of what I call “Presence in Performance.”
The quiet season. It’s been a while since I last posted—July 2024 to be exact. And truthfully, not much has changed in the entertainment industry since then. Like many actors in Los Angeles, I’ve found myself in a kind of liminal space—auditioning here and there, staying sharp and hopeful, but not seeing much movement in actual production.
I had an amazing month.
We are thrilled to announce that Jack Remick will join us as our guest for this month’s episode on the Poetic Resurrection Podcast.
This month’s special guest on
This past month has been quite eventful. I’ve had a few auditions, mostly for voiceover work which I enjoy recording. These auditions are quick and fun, although I do take the time to study the character and come up with a unique voice. Some scripts require more thought than others, so I pause to think before performing. Thanks to my agency, DDO LA, I’ve been receiving good audition opportunities.
My podcasts have been well-received. This season on the
On the
To say that 2023 was a roller coaster of a year would be an understatement. There were highs and lows, but a few stand out in particular. As many of my followers on Poetic Resurrection and this website know, I lost my mother, Martina, and a close friend, Gary Coppola, in 2023. Grieving has been a painful process for me. Every day, I think about them and miss them deeply. The pain may lessen over time, but the memory never fades.
My life and acting updates. It’s been a few months since my last post, mainly due to the writer’s and actor’s strike. Negotiations between SAG-AFTRA and AMPTP are ongoing, but I’m grateful for the updates each day. In the meantime,
For one thing,